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Photography
Throwback Thursday: Sigma APO 50-150mm F2.8 EX II
Sigma’s new 50-120mm F2.8 prompts a look back at an oft-overlooked lens that should have been a classic Richard...
Into the Mist: Creating Atmosphere with Fog Photography
Fog changes everything it touches. Familiar streets become mysterious, busy landscapes turn quiet, and...
Yashica’s New $170 Point-and-Shoot Has the Looks but Not All the Charm of the Cameras It Emulates
Yashica is back with yet another compact point-and-shoot camera designed to capitalize on the trendiness of...
Google’s SynthID AI Detector is Now Freely Available to Everyone
Google has made its SynthID Detector publicly available, allowing users to check whether images, videos, and...
NASA Releases Artemis II Crew’s Handwritten Notes of Moon Meteors
A screenshot from an Artemis II crew member’s tablet shows handwritten annotations made during the lunar flyby...
Annie Leibovitz Channels German Romanticism for Portrait of Sam Altman
OpenAI CEO Sam Altman has been photographed by Annie Leibovitz for Vanity Fair’s New Establishment edition....
What Nigel Barker Taught Me About Portraiture
What Nigel Barker Taught Me About Portraiture Subscribe here...
Sigma 50-120mm f/2.8 Contemporary Review: You’ll Want to Take This Lens Everywhere
The classic 70-200mm f/2.8 lens is such a useful staple in the professional photography world. Full-frame users...
Thousands of Lives: Countryside Reflections with the Sigma 50-120mm F2.8 DC OS Contemporary Lens
Sigma 50-120mm F2.8 DC OS | ContemporaryCanon EOS R7ISO 200, F2.8, 1/750s, 50mm The lights go out early in the...
Z-mount is getting its first Sigma zoom lens: a 16-300mm for APS-C
Slowly but surely, Nikon shooters are getting more options. Sigma Sigma has announced that it’s bringing its...
Freedom to Move: A Family Session with the Sigma 50-120mm F2.8 DC OS Contemporary Lens
Sigma 50-120mm F2.8 DC OS | ContemporarySony A6600ISO 160, F2.8, 1/200s, 57mm For this session, during which we...
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